B.A. in Art History, Minor in Graphic Design, Cum Laude, Boston University, Boston, MA
M.F.A in Computer Art, School of Visual Arts, New York, NY
2002 Stefan Stux Gallery, Project Room, New York, NY, November 2002 - January 2003
2009 Grinnell College, Molecules That Matter, Grinnell Iowa, September – December 2009
2009 Mayborn Museum Complex, Molecules That Matter, Baylor University, Waco, TX, June – August 2009
2008-2009 The College of Wooster Art Museum, Molecules That Matter, Wooster OH, March – May 2009
2008-2009 Chemical Heritage Foundation, Molecules That Matter, Philadelphia, PA, August 2008 – January 2009
2008 Morgan Lehman Gallery, Sexy Time: A Group Effort, New York, NY June – August 2008
2008 Pulse Art Fair, New York, NY, Mar 2008
2007-2008 Tang Teaching Museum of Art, Molecules That Matter, Skidmore College, Saratoga Springs, NY, September 2007 – April 2008
2007 Pulse Art Fair, Miami, FL, December 2007
2007 School of Visual Arts, MFA Computer Art Alumni Exhibition, New York, NY, November – December 2007
2007 Dam Stuhltrager Gallery, Garden Confrontations, curated by David Gibson, Brooklyn NY June - August 2007
2006-2007 The biennial Art on Paper 2006, curated by Xandra Eden, Weatherspoon Art Museum, UNC Greensboro, NC, November - January 2007
2006 E7 Emerge, curated by Franklin Sirmans, Aljira, a Center for Contemporary Arts, Newark, NJ, July - September 2006
2006 Work In Progress, curated by Jessica Hough, D.U.M.B.O. Arts Center Gallery, Brooklyn, NY, March - April 2006
2006 SELLOUT, curated by Will Heath, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY, March - April 2006
2005 Fabric of Fear, 555 Gallery, Detroit, MI, September - October 2005
2005 It Will Cost..., curated by Beth DeWoody, Artek Contemporaries, NY, NY, June - July 2005
2005 What Is Branchville?, Branchville Gallery, Branchville, CT, May - September 2005
2005 Thread for Art, Seattle, WA, February - April 2005
2004 Scope Art Fair, Miami, FL, December 2004
2004 Scope Art Fair, Los Angeles, CA, May 2004
2004 Building Better Babies?, curated by Suzanne Anker, NY Academy of Sciences, New York, NY, April 2004
2004 Scope Art Fair, New York, NY, March 2004
2004 Self-Evidence: Identity in Contemporary Art, DeCordova Museum and Sculpture Park, Lincoln, MA, February - May 2004
2003 Gifted, Rare Gallery, New York, NY, October 2003 - January 2004
2003 ID_Entity, NurtureArt, Brooklyn, NY, September - November 2003
2003 Scope Art Fair, New York, NY, March 2003
2003 Williamsburg Bridges Asia, Cristine Wang Fine Art, Brooklyn, NY, April - October 2003
2003 L'art Biotech Ä Nantes, Le Lieu Unique, Nantes, France, March - April 2003
2003 Recession 2003 $99 Bargain Store Show, Cynthia Broan Gallery, February - March 2003
2002 Family, Aldrich Museum of Contemporary Art, Ridgefield, CT, May - September 2002
Jeffrey Cyphers Wright, Chelsea Now, Volume 2, Number 37, June 20-26, 2008
Lisa Gulya, UTNE Reader, June, 2008
Fiona Case, Chemistry World, December, 2007
Marjorie Heins and Tricia Beckles, A Public Policy Report, December, 2005
Nick Sousanis, The Detroiter, September 21, 2005
Roger Green, The Ann Arbor News, September 17, 2005
Linda Matchan, The Boston Globe, November 4, 2004
Eve Kahn, The New York Times, October 28, 2004
Robin Marantz Henig, The New York Times, May 8, 2004
Christopher Millis, The Boston Phoenix, March 5 - 11, 2004
Danielle Cannon, NYArts, November, 2003
Zoe Wolff, Time Out New York, Nov 27 - Dec 4, 2003, Issue No. 426, p. 56, Gifted
Amy Lieberg, NYLON eNewsletter, Oct 3, 2003, All Choked Up
Chioma Nnadi, TRACE, Sept. 2003, Issue no. 45, p. 125, Chain Reaction
Tina LaPorta, NYARTS, Summer 2003, p. 23, War and Peace: Artists' Voices
Chris Michaud, NY Academy of Sciences, Panel Discussion, Feb. 18, 2003, From Code to Commodity: Genetics and Art.
G.M., Max Magazine, Nov. 2002, No. 155, p. 33, Ä Le Caviar Rend-il Fou?
Meghan Dailey, ARTFORUM, Oct. 2002, p.157, Family, The Aldrich Museum of Contemporary Art, Ridgefield, CT.
Grace Glueck, The New York Times, Art Review, July 26, 2002, p.E32, A Varied Tour of Connecticut's Treasures, The Aldrich Museum of Contemporary Art.
William Zimmer, The New York Times, Connecticut Section, Art Review, July 16, 2002, p.E32, Family, Functional and Otherwise, Aldrich Museum.
Carol Sims, Antiques And The Arts Weekly, June 11, 2002, Taking on the Family at The Aldrich Museum.
Clare Henry, Financial Times Weekend - Arts, June 8, 2002, The Truth About Moms and Dads.
Laurel Touhy, The News-Times, June 7, 2002, Family: Our Families, Exotic or Mainstream, Inspire New Aldrich Exhibit.
Risa Needleman, Michele Boos, and Carole Paul, The Art Tribune, Vol. 2 Issue 3, May/June 2002, Family: The Aldrich Museum of Contemporary Art.
Sarah Douglas, The Art Newspaper, No. 125, May 2002 p. 7, Family: The Aldrich Museum of Contemporary Art, Ridgefield, CT.
Brita Brundage, Fairfield County Weekly, May 30, 2002, Disrobing the Family.
National Examiner, May 28, 2002 p.36, Human Caviar: Bizzare Artist's Eggs-traordinary Show was Born in Her Own Ovaries!
Kristan Zimmer, The Ridgefield Press, May 16, 2002, Aldrich Family Exhibit Offers Fresh Look at Age-Old Institution.
Annika Persson, Dagens Nyheter, Sweden, April 22, 2002, Human Caviar For Sale.
Elizabeth Heathcote, The Independent, Life, etc., Great Britain, April 14, 2002, Life Stories: How Do You Like Your Eggs?
Kim Rathcke Jensen, The Politiken, Denmark, April 14, 2002, p.4, Installation: The Artist's Own Caviar.
Chuck Shepherd, News of the Wierd (syn.), April 14, 2002, Unmarried Artist Uses Her Own Eggs in Exhibit.
Jinling Evening Post, China, March 31, 2002, I Felt Like I'd A Basket Of Eggs Inside My Body.
Kristen Philipkoski, WIREDNEWS.com, March 29, 2002, Seeking Art-Loving Sperm.
Esther Haynes, JANE Magazine, March, 2002, p. 54, Human Caviar. Slurp.
The Douglas Kelley Show, October 4, 2002, Cunt-Positivism Reexamined.
Tokyo Broadcasting System, Japan, May 25, 2002, Chrissy Caviar®.
The Paragon of Excellence, Czaradio, WTSR 91.3, July 17, 2003, Chrissy Caviar®.
Dave Wheeler, CKLM Border Rock 106.1, January 14, 2003, Chrissy Caviar®.
John O'Brien, WAQY Rock 102, January 16, 2003, Chrissy Caviar®.
Amy Jeffries, National Public Radio WNYC Studio360, August 31, 2002, Family.
Jim Stark, Vol. 8 No. 2 pp. 69-71, Consumerism: Chrissy Caviar, Gastronomica The Journal of Food and Culture, University of California Press , May 2008.
Marjorie Heins and Tricia Beckles, Chapter 5, p.48, Will Fair Use Survive? Free Expression in the Age of Copyright Control, A Public Policy Report, Brennan Center for Justice at NYU School of Law, Democracy Program, Free Expression Policy Project, December 2005.
Rachel Rosenfield Lafo, Dir. of Cultural Affairs, George Fifield, Curator of New Media, Francine Weiss, Curatorial Fellow, Self-Evidence Exhibition Catalogue, The DeCordova Museum and Sculpture Park, February 2004.
Suzanne Anker, Dorothy Nelkin, p. 161, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor Laboratory Press, January 2004.
Jens Hauser, Associate Curator, L'Art Biotech a Nantes Exhibition Catalogue, March 2003, Le Lieu Unique, Nantes, France.
Jessica Hough, Associate Curator, Introduction, p. 13, Family Exhibition Catalogue, The Aldrich Museum of Contemporary Art, May 2002.
Christine Braun, Master of Arts in Women's Studies Candidate Thesis, Reclaiming a Maternal Presence: Women's Creative Response to Reproductive Technologies in the New Millennium, "Versions of 'Family:' An Analysis of Chrissy Conant's Chrissy Caviar®," October 2002, Kingston University, London, England.